Skip to main content

Shin Megami Tensei: Nocturne: Part 2

Last week I gave my initial thoughts on the dark, brooding atmosphere of Shin Megami Tensei: Nocturne. I feel like I struggled to adequately explain just how different this game is design wise from anything else I have ever played. While I'm not sure I did the atmosphere justice, I don't think I will have any such issues with the gameplay.

Lets start with the combat. For as different as SMTN is aesthetically, the combat should feel right at home to any JRPG fan. You have a party of four, with each character outfitted with a set of magical or physical special moves. It's good, old fashioned turn based combat, with just enough twists to make it feel refreshing and unique. You get one action per turn for each character in your active party. However, you can increase the number of actions you can take in several ways. Land a critical hit or exploit an enemy weakness and you will get another action that turn. Don't have anything impactful to do with a particular character? You can pass to preserver half an action. But this cuts both ways. If you miss, or you use an attack that an enemy resists or absorbs, you will not only burn the action you just took, but an additional action. And that's per enemy, so if you miss more than one, you lose more than one. Of course, these same rules apply to your enemies, so while it's challenging its also completely fair.

The combat really opens up a lot of different strategies and it forces you to come to battles prepared differently each time. There are eight elements and you can change your main character's resistance by consuming Magatama you find throughout the game. These rare items are key to defeating some enemies, as they are often your only line of defense against elemental attacks. They also boost your stats and determine which skills your main character learns. I do wish there was more customization and combining with these, but it's not like the game needed more to do.

Speaking of customization and combining, I should probably talk about demons. You see, your main character is the only real "party member" you come across. You must fill out your ranks by recruiting demons to fight alongside you. Some will just join, while others need to be bribed, threatened, etc. All the demons, from the lowly pixies to the end game deities are extremely well designed and really fit well with the game's aesthetic. They can't use Magatama, so the demons learn skills by leveling up. They can impart these skills to other demons through fusion, which mixes two of your servants together to form a (hopefully) bigger, stronger ally. I'm not going to dwell too much on this, because all the options and pathways make it extremely difficult to explain. However, the game will always tell you what demon you are going to get and what level they will be, so there's no obnoxious guesswork. They also do a good job of not forcing you into learning all the ins and outs of the system. If you want to research builds for the ideal demon, you can, but you can still have fun and be competitive against enemies just by trying some random combinations to see what sticks.

In a way, it's a bit like an M-rated version of Pokemon. You collect monsters, they battle, it's an RPG, etc. etc. I really like the combat and the demon recruiting and fusing, never did either of those things feel like a distraction. The story chugged along nicely, It wasn't the best RPG plot I've ever experienced but it had some great twists I definitely didn't see coming. There are multiple endings here, you get a different one depending on which faction you side with, and the game provides you with a number of decisions that impact those endings. I don't want to spoil the story, but I will just leave it at there are no real "good guys" here, just villains and sorta villains. It got to be a little much, but it did fit in with the game's intentionally oppressive atmosphere.

Speaking of oppressive things, I would be remiss if I didn't discuss the difficulty. SMTN is widely considered one of the hardest JRPGs of all time, and for good reason. Personally, I found it very difficult, but not quite as hard as its made out to be. There were some pretty insane puzzles in dungeons and the dungeons themselves are massive. The Obelisk took me multiple play sessions to beat and the final dungeon is just huge.  I think the difficulty comes primarily from three things:

1. If the main character dies, it's game over. 

2. Instant death attacks actually work. In most RPGs, you rejoice when the CPU uses a death spell, because it essentially means they wasted a turn. Not here though, if you don't have the right resistances, you will be in trouble.

3. Encounters everywhere. The encounter rate is reasonable, but you will have the potential to fight monsters almost everywhere you go. Thought you were safe in a town? Think again. There are only a few screens in the entire game where you can't have an enemy attack you.

That said, a lot of the difficulty can be mitigated by understanding the way combat works and knowing what you are doing in terms of preparation. You need to think about things before you do them, you can't just throw stuff against a wall. This is definitely one of the harder RPGs I've played, but it's far from the worst.  Even the optional dungeons aren't that bad.

The graphics are great, the sound is similarly awesome and the dialogue is pretty solid as well. By this point, developers had really started to get localization down. However, there were still some pretty glaring issues with it here. I think it sort of leads to my other major gripe, which is that the actions of some of the antagonists are never fully explained. They are nice, normal people doing their best to survive in the new world one minute and the next they are straight up villains.  It's a little bit disjointed and leads to some confusion in the storyline. For some reason, they also included Dante from Devil May Cry in the western version, which is weird. Some of the dungeons feel like slogs and the game gets a little ridiculous with teleporter puzzles towards the end. I like the bosses, they are big, colorful and intimidating, but some are just cheap and they get crazy with the instant death stuff. My last gripe is I wish there were more ways to get around the world without having to backtrack. This is a big game and there were times where I felt like I was just wandering aimlessly or going in the wrong direction.

In the end, those issues can't ruin a great game. I had a great time wit SMTN, though it's certainly not for genre neophytes. If this is your first RPG, you are going to have a bad time. I also caution that there is some humor in here that would not fly in a game in 2020, make of it what you will. But for those of us that grew up on golden age RPGs, SMTN is hard to beat. It has a great combat system, an interesting story and a huge variety of stuff to do. It also has a world map, something that may seem like a minor detail to some, but is huge for a lot of old school RPG fans. I went back and forth in my head what the final score would be and almost gave this the full monty. However, I felt a few of its flaws were too pronounced and it's misses to great that I couldn't bring myself to do so. I might revisit later, maybe with the SMTN's new game plus option. But for now, it's as close as it's going to get. This is a phenomenal game and a must play for old school RPG fans.


9.75/10

Comments

Popular posts from this blog

The 10s: Might and Magic VI: The Mandate of Heaven

When I first started writing about games, I was very hesitant to include PC titles at all. As I've said numerous times before, it's just not something I've ever really felt qualified to talk about. There are so many iconic PC games that were just blind spots for me as I never really actively sought them out. If it didn't come on a PC Gamer demo disc or I didn't hear about it through word of mouth, I didn't know about it. Does anyone else remember those PC Gamer demo discs? I had as much fun playing with the UI on them as I did any of the actual demos. Maybe if I spent less time clicking around the secret underground club and more on actually playing the games, I would have had more PC experience. Eh, I'm okay with the fact that while Fallout and Diablo weren't nearly as critical a part of my early gaming life as Coconut Monkey. Even when I did play and enjoy PC games, it was typically because I played the console versions first. Games like Doom, Command ...

Lost Odyssey: Part 2

Last week, we started our look at Lost Odyssey, a title that seemed to break unwritten rules of gaming left and right. We have a traditional RPG, which is the brainchild of the creator of Final Fantasy, released for XBox, a console not known for the genre, at a time when said genre was at what felt like the absolute bottom of its popularity. We started with the story, characters and world, all of which I thought were really good to great. That's a great start for an RPG, where those aspects are very important. But all of that can be undone if the gameplay isn't up to par. It's critical in any generation, but this is an essential aspect to call out in 7th gen RPGs. There was a lot of experimentation going on in the genre at the time, a lot of which didn't yield positive results. I guess I get it, the genre wasn't doing well at the time and developers were trying to do anything they could to bring it back to relevance. Sometimes, that meant terrible gimmicks. Other ti...

The 10s - Resident Evil 4

  "The American Prevailing" is a cliche that only happens in your Hollywood movies. Oh Mr. Kennedy, you entertain me. To show my appreciation, I will help you awaken from your world of cliches." Of all my 10s games, I think Resident Evil 4 may be the one I feel the weirdest about. I know, I know, how could I feel any level weird about Resident Evil 4, one of the most sacred of sacred cows of gaming history. This is one of those games that people will straight up rail you for disliking, as if it's some sort of personal attack. I guess that's starting to change a little bit, it's become a victim of being so popular that people start to hate it just for being so. That always seems to happen in the gaming industry, though that is a different discussion for a different day. Besides, it's not really why I've always had a sort of weird relationship with RE 4. I'm not the first person to say this and I'm certainly not going to last, but it just didn...